Crush, in total, is exactly the stylemash you’ve become accustomed to from the group, a release that bottles up contemporary trends (such as the blurry trap sound frequented by Future and others) as well as the usual EDM/reggae/hip-hop/R&B hybrid that YG’s in-house producers favor for the quartet. Hold that thought.Īs one could imagine, Crush is similarly fashioned around the shapeshifter CL, who wrote lyrics and composed three songs on the album in addition to the solo thumper “MBTD”. The only semi-micro-plotted movement in the whole campaign happened when YG Entertainment bumped the digital release three days-meaning that they broke the record in four days, instead of a full seven-so it would come out on the February 27 birthday of CL, 2NE1’s ascendant star.
Though both unsurpisingly lit up the Korean charts, the excitement-as well as an appearance in a January episode of ABC’s The Bachelor-buoyed an entrance into Billboard 200, where 2NE1 sold more copies in the first week than any Korean outfit in history. Announced in January-no advance snippets were available-and released digitally in February, 2NE1 dropped two singles simultaneously (the uptempo pair “Come Back Home” and “Gotta Be You”). Instead of following a tried-and-true formula of slowly rolling out individual songs and their characteristically flashy videos, the all-female Korean pop supergroup 2NE1 went the opposite direction with their new album, Crush.
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